As far as I can tell, my identity has not been compromised, my credit cards haven’t been maxed out, and my bank account has not been drained. I’m just not that interesting or lucrative a mark for the cyber criminals, at least not yet.
So I haven’t been in panic mode about the latest internet security flaw – Heartbleed – but I have been paying attention. And this IVPN blog post has the most sensible advice I’ve found so far. Check it out and change the passwords that need to be changed.
Heartbleed – What passwords to change | IVPN Blog.
Courtesy of Andrea Alu, Researcher and Professor at UT Austin, that squealing and rumbling that emanates from speakers on many a stage may soon be a thing of the past. As with any new technology, the first products will rather expensive, but this design looks like it could scale out petty quickly.
(article from Bloomberg Businessweek)
Dave Sarge is the go-to guy for amplifier repairs in this area, the guy that knows electronics, tubes, and speakers inside and out. You know the type – if he can’t fix it, then it ain’t broke. So, I felt both disheartened and relieved when, after checking on the status of my busted keyboard amp, he began his response with “Well, I certainly will not be charging this on an hourly basis.”
Apparently neither he nor the Traynor/Yorkville company amp tech in Canada has come across this particular issue of loud constant popping from the speakers whenever the amp is turned on.
(Cool, my amp is SO hipster).
So, whenever Sarge does get it figured out, I suspect there will be an addendum made to the Traynor K4 Service Manual, and I can feel happy that I was able to fund his latest opportunity to further contribute to the knowledge base of amplifier repair, and make the Universe a better place.
(For the record, I love this loud, aggressive, multi-featured keyboard amp and miss it terribly… It enables what happens on my side of the stage to be more than just support staff to the guitar-gods I’m fortunate enough to play with).
The Music-Copyright Enforcers – NYTimes.com
Those who listen vs. Those who pay (Brian Rea)
Most places do, and it directly benefits me. My songs are registered with BMI, and whenever I play them in a public venue, I fill out a form on the BMI website stating when, where, and what songs I performed. Then, twice a year, I receive a royalty check from them – just like Willie Nelson and Lady Gaga.
Now if you bought a CD or downloaded an mp3 for personal use, then you’ve already paid for it – play it however you want. But if you’re a commercial establishment playing recorded music for your customers, it’s kinda like having musicians play all day/night long. You wouldn’t expect a live band to play for free, any more than you should expect a bartender or cook to work for free. And it’s good to know that some of the money paid for licensing goes not only to the superstars, but also to the little guys like me.